After nearly 25 years of experimenting, painting, and exhibiting, I chose to go to Art school to complete a  Master’s in Art and Science at Central Saint Martins.

It gave me a stronger understanding of materials, change, and new ideas.

If there were a single word to describe my practice, it would be non-linear.

Breakage, fractures, incompleteness, and cracks are not fault lines—they are pathways where light enters. They reveal what was unseen and make the intangible tangible. Through them, I explore transformation, turning rupture, challenge, and yesterday’s impossible dreams into today’s reality.

I work with some traditional materials like oil paint alongside unconventional materials: broken eggshells, broken mirrors, and other overlooked materials not found in art stores. I am drawn to what is broken, discarded, incomplete or forgotten—and what it can become.

I do not know failure. I call it experimentation: something that has not worked out… yet.